Hours:
Wednesday - Saturday
Noon - 5:00 pm
Emily Rossheims bowls are so exquisitely luminous that you don't know where the bottom is. You want to put your finger in to make sure that there really is depth to the vessel.
In her own words, Emily says, "My decorative vessels are studies in simplicity and grace of form, the juxtaposition of textures and colors which enliven each other and the luminosity of soft, non-reflective surfaces."
“It’s my desire to present objects familiar enough to evoke personal associations, yet subtle enough to raise questions in the mind of the viewer. Both draw the viewer in, to verify their initial impressions through touch and visual investigations. Is it light? It is heavy? Is the depth actual or an illusion?”
Emily slab-constructs her bowls of white earthenware clay and leaves the inner and outer surfaces entirely matte. The sheer inner color comes from airbrushed underglazes. The result is a surface that seems to absorb light and intensify it into a matter glow. “I bring a graphic eye to a tactile medium. Appreciating the intrinsic earthy, organic quality of clay as a material, I treat the surface with texture that invites touch, and the edges with a spontaneity that suggests motion and vitality. Of equal interest to me is the exploration of the use of visual effects, which belie the nature of the material and serve to create an atmosphere of mystery. Thus, a simple ceramic form takes on a living presence.”
The sheer simplicity of her bowl forms, and their inner vibrancy, seem to echo Rossheim’s own life. She works in solitude in her private studio, yet is surrounded by a supportive community. The slow pace of life in her Vermont town suits her. “I’m meditative, inward-looking. I think my work reflects that. It’s spare. Every detail is taken care of. I really am a person who puts huge amounts of time into a piece. I like detail.”
The archetypal vessel is Emily Rossheim’s muse and the results of her efforts in the studio are truly inspiring. Her vessels are “studies in simplicity and grace of form, the juxtaposition of textures and colors, and the luminosity of soft non-reflective surfaces.” They will lift the spirits daily.
Alice Warder Seely/Urban Fetishes | Amy Odom/The Glass Café | Ana Maia/Viver De Arte | Bonnie Bond/Basic Basic Spirit | Bernard Katz/ Bernard Katz Glass | Holly Berry/Fresh Paint | Berry Silverman/Berryware | Cal Breed/Orbix Hot Glass | Kim Cassie/Bee Design | Sandie Charlton And John Moilanen/Charlton Glassworks | Christina Mayr/Three Crows Glass Studio | Alex And Viviana Santamarina/Club Mersa | Suzi Emley/Collem Designs | Daniel Pierre Lamothe/Dapila Design Tiles | David Desalvo/Desalvo Studios Save A Penny Banks | Duane Dahl/Dahl Glass | Eduardo Millieris/Watchcraft | Luca Prian/Murano Traditions | Emily Rossheim/Rossheim/Marrinson Studios | Gail Plaster/Gail’s Nature Photography | Cathy Gerson/Gersonware | Guenter Scholz/H&K Steel Sculptures | Jennifer Northup/Silver Spoons | Joan Borders/“Feel The Spirit” | Maggie Lindley/Maggie Lindley Designs | Linda Wright/My Mother’s Buttons | Nancy Brooks/Sleepin’ Dog Studios | Nina Walz/Off The Walz Studio | Rosa Maria Piatti/Viver De Arte | Terry Pulley | Stave Art By The Barrel | Linda Levy And Debbie Graham/Twisted Sisters | Paul Willsea And Carol O’Brien/Willsea O’Brien Glass | Timmy Woods/Timmy Woods Beverly Hills | Fred Zarembka/Brass Oak Company